BE CAREFUL WHAT YOU FIGHT FOR: BWBTC ANNOUNCES 2024 SEASON
BABES WITH BLADES THEATRE COMPANY ANNOUNCES 2024 SEASON: BE
BABES WITH BLADES THEATRE COMPANY ANNOUNCES 2024 SEASON: BE
When the widowed Duchess of Malfi chooses to love again, honestly and defiantly, the men in her family do everything in their power to break those that would dare to flout the unspoken rules of a “traditional” society.
Post performance “talkback” discussion beginning at 5:30 PM, facilitated by our collaborators at the University of Illinois Chicago’s “Making Inclusive Theatre” project.
Thirty (30) minutes before the performance, the touch tour and audio description involves a table of props and costume elements in the lobby that can be explored with touch, as well as a brief presentation in the theatre detailing the set and introducing patrons to the voices of the actors
**Live Streaming** Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
**Multi-Accessibility / Talkback Day** Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.