RICHARD III

Written by: William Shakespeare
Directed by: Richard Costes (he/him)
Fight & Intimacy Direction by: Maureen Yasko* (she/her)

Proof of COVID-19 vaccine needed to attend in person

BWBTC Shakespeare

Richard III Coat of Arms

About the Show

Babes With Blades Theatre Company brings the tale of Shakespeare’s most complex, cruel and fascinating protagonist to life this summer in a new version that accounts for previously disregarded perspectives. BWBTC Shakespeare’s Richard III tells the story of Richard of Gloucester, who uses intelligence, deception and political manipulation towards his ultimate goal: England’s crown. Babes With Blades’ production is a partnership with a project called “Making Inclusive Theatre: Richard III as Disability Art,” a collaboration with the University of Illinois Chicago’s Disability Cultural Center, the UIC Department of Theatre and Bodies of Work, a network of disability arts and culture.

WHERE The Edge Theater
5451 N Broadway,
Chicago, Illinois
WHEN August 26 –
October 15, 2022
SHOWTIMES Thursdays, Fridays
& Saturdays at 8:00pm
Sundays at 3:00pm
PREVIEWS August 26th, 27th, 28th
September 1st & 2nd
PRESS OPENING Saturday, September 3rd
CLOSING NIGHT Saturday, October 15th
OPEN
CAPTIONING
Every performance
starting September 3rd
SENSORY
FRIENDLY
September 11th & 17th
ASL
PERFORMANCE
September 24th
AUDIO
DESCRIPTION
& TOUCH
October 1st
ASL INTERPRETING,
AUDIO DESCRIPTION,
TOUCH TOUR
& TALKBACK
October 9th
LIVE
STREAMING
September 23rd,
September 25th,
& October 8th

AUDIENCE ALERT

This production uses realistic staged violence in the telling of the story.

RUN TIME

2 Hours, 30 Minutes

Cast

Aszkara Gilchrist, she/her (Richard III), Jillian Leff*, she/her (Buckingham), Kristen Alesia, she/her, they/them (Anne/Hastings), Pat Roache, they/them (Margaret/Brackenbury), Jennifer L. Mickelson*, she/her (Clarence/Stanley/Lord Mayor), Leah Huskey, she/her (Grey/Duchess of York & Non-Eq Dep), Kayla Marie Klammer, she/her (Lovell/Archbishop), Izis Mollinedo*, they/them, she/her (Rivers/Bishop of Ely/Messenger, EDI Rep), Kim Fukawa*, she/her (Catesby/King Edward IV), Madison Hill, they/them (Ratcliffe/York), Symmone Still, she/her (Dorset/Prince Edward), Lauren Paige, she/her (Queen Elizabeth), Genesis Sanchez, she/her, they/them (Richmond), Emma Norville, she/her (Clarence/Stanley/Lord Mayor U/S; Anne/Hasting U/S), Xela Rosas, she/her, they/them (Rivers/Bishop of Ely/Messenger U/S; Dorset/Prince Edward U/S; King Edward IV U/S), Hazel Monson, they/they, she/her (Margaret/Brackenbury U/S; Ratcliffe/York; Catesby U/S), Jo Hoch, she/her (Richard III U/S), Logan UhiwaiO’Alohamailani Rasmussen, she/her (Queen Elizabeth/Richmond U/S; Grey/Duchess of York U/S) and Elizabeth Quilter, she/her, they/them (Lovell/Archbishop U/S; Buckingham U/S).

Production Team:

Sydney Lynne, she/her (Scenic Design), Becca Venable, she/her (Lighting Design), kClare McKellaston, she/her (Costume Design), Kat Pleviak, she/her (Puppet Design), Jesse D. Irwin, he/him (Sound Design), AJ Morley, he/him (Props Design), Carrie Hardin, she/her (Text Coach), Claire Alston, she/her (Dramaturg), Keyana Robinson, she/her (UIC Videographer), Matt Lauterbach, he/him (Accessibility Coordinator),  Dr. Margaret Fink (Director of Disability Cultural Center- UIC ), she/her (Accessibility Rep ), Line Bower, they/them (Technical Director), Jillian Leff*, she/her (Assistant Fight Director), Rose Hamill, she/her (Production Manager), Esau Andaleon, he/him (Assistant Stage Manager), Gabrielle Owens, she/they (Stage Manager), and Tab Mocherman, they/them (Covid Compliance Officer), Kelsey Kovacevish*, she/her (Managing Director), Alison Dornheggen*, she/her (Public Relations)

* = BWBTC ensemble member

Brave Lux logo
Photos by Joe Mazza/Brave Lux

***Ticket sales end 3 hours before curtain. Seats may still be available even if it says no longer available.***

BWBTC will be collecting charity donations for Access Living closing week of the run.

Accessibility Information

Getting to the space

Parking:

The Edge Theatre does not have a dedicated parking lot or parking spaces for the venue. There is limited paid street parking on Broadway.

Drop off:

If you will travel by paratransit or will be dropped off, we recommend being dropped off at the corner of Catalpa and Broadway, or in the driveway of Hernandez Auto Repair at 5447 N Broadway (which is less than 10 feet from the theater’s entrance).

Public transportation:

The CTA has bus stops immediately in front of or across the street from the Edge Theatre.

  • Northbound 36 (Broadway) Bus to Catalpa.
  • Southbound 36 (Broadway) Bus to Catalpa.

The nearest train stop is the Bryn Mawr Red Line stop, but please note that it is not an accessible station.

The nearest accessible train stops are the Granville Red Line Stop and the Wilson Red Line stop. Both are about one mile from the theater, so we recommend transferring to the #36 bus from there if you need to reduce distance traveled.

The space itself

The Edge Theater lobby and auditorium are physically accessible. There are 4 wheelchair accessible seats as well as 2 additional ‘transfer seats’ in the auditorium. Additional space for accessible seating is available in the back if needed. The theater is equipped with accessible bathrooms, including three all-gender single-user restrooms.

The front doors are not automatic, so we will have a member of the house management team at the doors ready to open them as needed until the show starts. If you arrive after the show starts, you can contact [email protected]. We will also have box office staff watching the doors after the start time to allow access to late seating.

Assistive listening devices are available, and can be reserved by contacting our box office directly at [email protected].

Please contact [email protected] or 773- 217- 8406‬ with any questions about the theater space and accessibility offerings.

Accessibility for Performance

Open Captioning

All performances will have open captions.

“Relaxed Performances” / Sensory Access Performances

These performances adapt the theater space and theater “rules” to make them more relaxed. The audience area will not be as dark, and the performance itself has been adapted to reduce the intensity of lighting and sound changes. The lobby will be available as a quiet space during performances. Click here for further details on “sensory friendly” performances.

  • Sunday, September 11, 2022, at 3:00 p.m.
  • Saturday, September 17, 2022 at 8:00 p.m.
Performances with ASL interpretation:

ASL interpreters will be located near the stage for audience members who are deaf or hard of hearing. There will be a designated area in the theater that gives the best sight lines from which to follow both the interpretation and the action on stage.

  • Saturday, September 24, 2022 at 8:00 p.m.
  • Sunday, October 9, 2022 at 3:00 p.m.
Performances with audio description and touch tours

Audience members who are blind and or have low vision will receive a headset that allows them to listen to a trained audio describer. Descriptions of key visual elements of the show will be inserted into natural pauses in the performance. 30 minutes prior to the show, patrons who are blind or have low vision are invited to attend a touch tour and audio description involving a table of props and costume elements in the lobby that can be explored with touch, as well as a brief presentation in the theatre detailing the set and introducing patrons to the voices of the actors.

How early should the audience show up?

  • Saturday, October 1, 2022. Touch tour at 7:00 p.m.. Audio Described performance at 8:00 p.m.
  • Sunday, October 9, 2022. Touch tour at 2:30 p.m.. Audio Described performance at 3:00 p.m.
Remote access performances?
  • Friday, September 23, 2022 at 8:00 p.m.
  • Sunday, September 25, 2022 at 3:00 p.m.
  • Saturday, October 8, 2022 at 8:00 p.m.
Multi-Accessibility Performance

On Sunday, October 9th, the 3:00 p.m. matinee performance will have open captions, ASL interpreting, and audio description.

This performance will also offer a pre-show touch tour beginning at 2:30 p.m. and a post-show “talkback” discussion beginning at 5:30 p.m., facilitated by our collaborators at the University of Illinois Chicago’s “Making Inclusive Theatre” project.