LIVE STREAMING: BWBTC Shakespeare Richard III

**Live Streaming** Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:14:42-06:00October 2nd, 2022|

CLOSING NIGHT: BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:15:19-06:00August 16th, 2022|

CLOSING WEEKEND: BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:15:49-06:00August 16th, 2022|

CLOSING WEEKEND: BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:16:23-06:00August 16th, 2022|

MULTI-ACCESSIBILITY / TALKBACK DAY: BWBTC Shakespeare Richard III

**Multi-Accessibility / Talkback Day** Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:16:59-06:00August 16th, 2022|

BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:17:27-06:00August 16th, 2022|

BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:17:52-06:00August 16th, 2022|

BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:18:23-06:00August 16th, 2022|

BWBTC Shakespeare Richard III

Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.

By |2023-09-17T16:18:53-06:00August 16th, 2022|
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